![]() Ideally, 2 backlights with more space between model and backdrop would allow us even more separation and blow out for the white – but for sake of this demo we are using 2 lights at the most. SA 59-99012046 Savage Black, White & Green Economy Backdrop Kit. SA 59-990120 Savage White & Black Economy Backdrop Kit. Discover a cost-effective solution for creating. SA 59-99011220 Savage Black, White & Gray Economy Backdrop Kit. Adding the backlight into the equation will allow us to blow out the white backdrop on purpose to get an absolute white which is ideal for catalog work and generating composite graphics… saves time in post. Savage Widetone Seamless Background Paper has been the professional photographers top choice for over 75 years. This gives us quite a bit of light spill from our keylight onto the white backdrop which keeps it a nice bright white without going too gray looking. ![]() Shooting in a tight-space, we have the model about 4 feet from the backdrop with the key light positioned roughly 4 feet from the subject. COLLABORATE Collaborating with Savage for product marketing content is great opportunity to promote your business, build connections and credibility within the. Savage Seamless Background Paper provides a high-quality, non-reflecting surface with an exquisite, fine-tooth feel that’s ideal for creating smooth and even backgrounds for portraits, commercial photography, product photography, video and interviews, and much more. We’ve setup the keylight in a butterfly or paramount style lighting pattern which works well for a single light setup because even without a backlight it positions any drop shadow in a favorable position out of view for most headshots and 3/4 view. The worldwide leader in paper backgrounds and photographic products since 1937 Savage helps visual artists and designers to craft their images with consistency and cohesive style. Depending on your equipment, I would also recommend using a strip soft box or adding a grid screen to the backlight which also functions as a hairlight if you feather the strobe head slightly towards the back of your subject’s head. ![]() For the keylight we’re using a 28″ beauty dish with diffuser sock and the backlight is an 80 degree reflector mounted on a boom stand. We also kept it to a 1 light or 2 light setup (key light + backlight) to keep the setup minimal and applicable for those who might not have more than 1-2 lights or the space for them. And for the sake of this demo and discussion of light setup when photographing people, we’re working with a model and shooting a product “on-model” catalog style photos.Īll seamless paper used is the 53″ width. Our space is fairly compact to keep it relatable to what you might be working with in the field. For the sake of an accurate side by side comparison of each seamless color, we shot all of these photos with the same light setup both with and without backlight and the same in-camera settings in daylight color balance.
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